How the Five Boroughs of New York City Unite

nyc skylineSeparated by water and demeanor, the five boroughs of New York City – the Bronx, Brooklyn, Manhattan, Queens and Staten Island – face the sweeping sky line of Manhattan.  Small towers against a floating sky.  Each brings their novel area to the middle of the city.  They dock the city to its art heritage, history, architecture and natural habitat. 

In Manhattan, the Metropolitan Museum of Art is a well-visited  gallery.  The museum was first opened in 1880.  The style of the building is Ruskinian Gothic.  The exhibition had become one of the world’s largest art collections by the 20th century.  Tens of thousands of objects can be disclosed at any particular time.  There is the American Wing, Ancient Near Eastern Art, Arms and Armor, Arts of Africa, Asian Art, Drawings and Prints, Egyptian Art, European Paintings, European Sculpture, Greek and Roman Art, Islamic Art, Robert Lehman Collection, Medieval Art, Modern and Contemporary Art and Photographs.  When you walk into the Metropolitan hall you are greeted by a grand staircase and pillars holding up the edifice’s base.  The galleries off to each side offer a salutation to the hall.  But to decide where you would like to walk can be daunting.  You may want to visit the European Paintings, where you can view art by Jan van Eyck, Rembrandt, Monet or Cezzane.  Colorful landscapes and portraits on canvas.  Or you may prefer meandering through the Egyptian Art.  A plateau to many types of findings. You should see the sphinxes or ancient busts.  The objects date from the Paleolithic to the Roman period (c.a. 300,000 B.C.-A.D. 4th century). 

The Yankees have a history that begins in Baltimore.  They moved to New York in 1903. Then, a three-tier stadium was built in the Bronx.  A 15-foot copper façade had been constructed  to add an element to the stadium’s 3rd deck.  The scoreboard was located behind the bleachers in right field.  The new Yankee stadium bears Monument Park and a decorative frieze.  It has those venerable arch windows that add to the three-base shape of the stadium’s exterior.  The classic-functioning manually operated scoreboards have been brought back to right and left field.  The monuments which once stood in the recesses of center field are moved to the not as open place behind left center field fence.  At any given game, the stadium holds 4,300 tickets.  Concession stands line the inner hallways to pickup popcorn or a hotdog.  And the always sought after memorabilia is hung.  An elevated subway line runs alongside the stadium to keep access available. The Yankees play most nights of the week, from April to September, and you may notice them playing the Red Sox or the Mariners.  You cannot forget the blue and white pin stripes that are glanced down upon from the upper tiers of the iconic stadium.  

In 1897, the New York State legislation puts aside 39 acres for a botanic garden.  In 1911, the local flora section is laid out. The garden is located near the Eastern Parkway.  There are exhibits and walking tours through the pathways of the garden, and you may want to observe the cherry blossoms come Spring.  Some of the plants that can be found are Honorine Jobert, Early Amethyst and Doumetti.  At the Brooklyn Botanical Garden, a display that is simulated by the garden is “Gardens Within the Garden.”  There is the Japanese-Hill-and-Pond Garden.  The enclosure includes ancient hill-and-pond style where different landscape variances are seen along winding paths. There is a waterfall and an island with delicately placed rocks. Architectural parts of the garden are wooden bridges, stone lanterns, a viewing pavilion, the gateway and the Shinto shrine.  The Herb Garden looks at the plants we eat as food.  Following the diverse cultures and culinary traditions of Brooklyn’s neighborhoods.  The garden consists of medicinal and culinary herbs, vegetables, berries, fruit trees and flowers.  The Native Flora Garden represents native plants growing in the New York Metropolitan area. Showing plants in three eco-regions, coastal plain, piedmont and highland, the garden has many plants communities, serpentine rock, dry meadow, kettle pond and bog to name a few. 

It is viewable from the LIE, Grand Central and Van Wyck, the large silvery sphere dancing light off its surface. It was built in 1964 for The World’s Fair.  The steel structure is molded to lay out land and has three orbital rings surrounding it.  Its 140 feet high and 120 feet in diameter.  Viewers can see through its open spaces, so it suggests an optical illusion when light hits its surface.  It does not move, but perched on an axis it gives the tone that it is moving, an idea, that its creator was trying to impose–we are all part of the same universe.  But, there was also the message that keeping things within your grasp is important, in a time of ever-expanding growth.  The globe remains in Flushing Meadows, Queens where some say the notion still holds truth, even in the days way past The Great World’s Fair.

Fort Wadsworth (in Staten Island) is nestled under the Verrazano Narrows Bridge on the Western shores of the Narrows.  Hidden here, it has a decisive role in protecting the entry to New York harbor for over 200 years.  The site was first used by the military in 1663.  If you visit, you can amble through the catacomb tunnels in the fort’s batteries.  You may be able to imagine the cannons that once fired from the base.  They would have been heard across the water and in other boroughs of the city.  In 1910, the fort fired a 21-gun salute to former President Theodore Roosevelt.  During the war of 1812, the fort was divided into smaller sections, these included Fort Tompkins and Fort Richmond.  Today the fort is occupied by the United States Coast Guard and a Maritime Safety and Security Team.  The United States Army reserve takes up several buildings on the fort.  When you climb up the overlook you can feel the breeze of the water and enjoy the sites from afar.  Walking tours are given should you wonder about this historical stone shelter that has held so many tales from yesterday to present day.  It is a piece of America’s history that rests on the Hudson River.

The Queen Latifah Show: The regal journey continues

photo credit: 1iota.com

photo credit: people.com
photo credit: people.com

She represents CoverGirl Queen cosmetics collection, Queen and Queen of Hearts fragrance lines, and she’s a spokeswoman for Curvation Ladies underwear and Jenny Craig. Now she’s hosting her second daytime talk show, The Queen Latifah Show. Who is she? She was born Dana Elaine Owens, ambitious damsel from Newark, New Jersey. Little did she know, she was destined for greatness.

The year was 1989. Owens, renamed Queen Latifah, (Latifah means, delicate and very kind) aspired to become one of best female MCs the hip hop world had ever known. Fueled by her first single “Wrath of My Madness”, her first album All Hail the Queen was released by Tommy Boy Records. The album poised the then 19-year-old Owens to become a force to be reckoned with in the entertainment industry.

Fast forward to 1991, with two hip hop albums under her belt, Latifah was bit by the acting bug, landing supporting roles in the 1991 and 1992 films House Party 2 and Juice. In 1993, while riding the success of her third album, Black Reign, she landed the starring role of the ambitious and outspoken Khadijah James on the Fox sitcom, Living Single. She was also the writer and performer of the show’s theme music. Gaining high ratings among mostly African-American audiences, the popular sitcom lasted until 1998.

Her recurring roles during the second season of the NBC hit, The Fresh Prince of Bell-Air, led her to the role of the no-nonsense Cleo in the 1996 box-office hit, Set It Off.

In 1998 and 1999, the film roles kept coming as she landed supporting roles in the Holly Hunter film Living Out Loud.  She, also, landed a role in The Bone Collector, alongside film icons Denzel Washington and Angelina Jolie.

Although the Queen had previously received some critical acclaim, she gained mainstream success after being cast as Matron “Mama” Morton in blockbuster musical Chicago, a film that subsequently won the Best Picture Academy Award. Latifah received the Oscar nomination, Best Supporting Actress for her role, but lost to co-star Catherine Zeta-Jones. Latifah is one of three hip-hop artists to receive an Academy Award nomination in an acting category. The others are Will Smith and Jamie Foxx.

Fast forward to 2013, the 43-year-old Queen is a household name, hosting her second Daytime Talk Show, The Queen Latifah Show. Premiering on September 16, 2013. The CBS show reached 1.8 million viewers in its first week.

Executively produced by Will Smith and Jada Pinkett-Smith among others, The Queen Latifah Show features celebrity interviews, human interest stories, musical performances, cooking segments with well known chefs, and her take on pop culture news. Queen Latifah also ventures into communities across the country to share amazing stories, celebrate individuals who give back to their communities and to deliver life-changing surprises.

The first episode, which featured an interview by actor John Travolta and a performance by Willow Smith, presented the highest-rated daytime television première of the year and the second highest-rated première since 2009, when The Dr. Oz Show made its début.

From September 13, 1999 until August 31, 2001, her other talk show of the same name gained favorable attention, catering to a younger hipper audience. The current show, however, is not a revival of the original. It was described as the “Dear Abby for the Hip-Hop Generation”. The series covered various topics and included interviews with celebrities and non-celebrities, alike.

With the current daytime talk show circuit, dominated by Ellen DeGeneres, Steve Harvey, Wendy Williams, Maury Povich; The Queen diligently strives to also maintain her place in talk show history.

Despite all of her success, the Queen takes pride in remaining true to herself by reflecting who she truly is. She has matured both as a person and as an entertainer and tends to keep her longevity intact, but pushing just a bit further and setting the bar, just a bit higher.

The Queen Latifah Show airs weekdays on CBS. Be sure to check your local listings.

All Hail the Queen!

Bohemian twin sisters, Macedo | Paper Doll album release show

macedoIf you’re in Los Angeles on November 8, 2013, join the party at the Hotel Cafe (1623 1/2 N. Cahuenga Blvd.).  Doors open at 8 p.m., concert starts at 9. Get your 10.00 ticket(s). What party?  The MACEDO album release party…read on…

MACEDO are identical Bohemian twin songstresses.  Music can be described as soulful pop of “Adele plus poetic lyrics of Fiona Apple; echoes of Billie Holliday & Joni Mitchell with the complexity and grace of Regina Spektor”. Their EP is entitled “Paper Doll”. singer/songwriters Michelle & Melissa Macedo make up Macedo. 

The EP includes 6 completely original tracks with mythical elements infused in each track including the toy piano which has become the trademark logo for the album. The twins worked with Producer & engineer MJ Denton.  The EP was mixed by Keith Sterling & Neil Citron and mastered by Keith Sterling (Victory Recorders).

Michelle and Melissa have previous success and experience:

  • featured artists for world-renowned brands such as PANTENE PRO-V and SUPERCUTS’ ROCK THE CUT.
  • named one of the city’s most popular artists by Deli Magazine
  • honored at the Malibu Music Awards
  • songs have been broadcast on many radio stations (including Los Angeles Star 98.7) on Delta Airlines and Pandora.
  • had a previous album which received much praise
  • played all over the country on ‘Flags &  Boxes’ tour, including performance at SXSW festival
  • compared to artists such as Feist for her soul, Norah Jones for their earthy tones and Joni Mitchell for their stunning lyrics. 

PAPER DOLL showcases Michelle’s grand piano and Melissa’s violin talents plus harmonious vocals from the two. They offer an instrumentally rich and unique sound. Every instrument adds a layer of texture to the soothing vocals blends that Michelle and Melissa provide. Specializing in the harmonies, the duo was able to work as a conducive creative team. 

Song Writer Hall of Fame Inductee (2008) Matraca Berg who said…

“Such a warm and unique voice! A little post modern Billie Holiday with a hint of Joni Mitchell. The tracks are tasty but lean and they give her just the right amount of space to let that shine through…”

And Maria Menounos (Extra, Today Show) stated MACEDO is her…

“Favorite Band in L.A.”

Racine D’or | Movement Workshop Group & Grammy-nominated Cedric Watson et Bijou Creole bring dance theater piece to the South

Racine D’or Trailer

Movement Workshop Group, in collaboration with the Grammy-nominated Cedric Watson et Bijou Creole, brings their new dance theater piece, Racine D’or, to the South. Inspired by the rich folklore of Louisiana, Racine D’or is a story of life, death, rebirth, and forgiveness.

Sweet Transition: Tristan Mack Wilds explodes onto the music scene

Nothings too much
Words that I live by
That’s just how I do… do… I do
I’m young right now
But I won’t be forever
That’s why Ima live it up like that’s true
You might wanna roll wit me too

Said I don’t mean to brag
But I live a life that most can only dream about (yeah)
So baby come be my dream girl
Pick a fantasy and let me work it out (yeah)

Oh yeah

Tell me where you wanna go
Whatchu wanna do
Said we livin it like we own… it own… it own it
Said I’m on top of the world, all I need is you
Said we livin it like we own it… own it… own it… (yeah)

Own It singleWith catchy lyrics like these, Tristan Paul Mack Wilds seems poised to take the music world by storm, but as many of us know, he’s no stranger to the entertainment industry.

The Staten Island native was bitten by the acting bug at an early age, but first gained national acclaim in 2006 for his recurring role in the Baltimore based HBO drama, The Wire. Wilds portrayed the role of Michael Lee, a troubled middle school student who lived in poverty, while caring for his younger brother.

In 2008, Wilds starred alongside Queen Latifah, Alicia Keys and Dakota Fanning as Zach Taylor, Fanning’s friend and love interest in The Secret Life of Bees. The film grossed over $39 million worldwide.

In July of the same year, Wilds was cast in The CW’s 90210, a spin-off to the popular 90s teen drama Beverly Hills 90210. In the show, Wilds portrayed the charismatic Dixon Wilson, a lacrosse player and aspiring DJ who was adopted and moved with his family to Beverly Hills. 90210 premiered in September that same year to 4.65 million viewers. The series ended on May 13, 2013.

Mack Wilds album cover - New York: A Love StoryIn 2012 Wilds starred alongside Terrence Howard and Cuba Gooding, Jr. in the George Lucas film Red Tails which followed the Tuskegee Airmen during World War II.

With an extensive acting resume that also features guest spots on Cold Case and Law and Order. The poised actor has done things that many youngsters can only wish for. One can only wonder what’s next on his agenda.

Fast forward to September 2013, the 24-year-old’s debut album, New York: A Love Story is released on Sony Music Entertainment. Renamed under his two family names – Mack Wilds, many believed that his music career came of nowhere, when, in actuality, it began in 2010. After signing with an independent record label, he worked with well-known producers Dre and Vidal & Rico Love. One of his songs entitled “2 Girls” was even featured in the fourth season of 90210.

After appearing in numerous music videos, including ones for heavyweights like Jay-Z, Alicia Keys, and Lil Wayne, Mr. Wilds seems right at home creating his very own. His video “Own It” is in heavy rotation on MTV Jams and BET’s 106th and Park.

New York: A Love Story is in stores now. Keep the hits coming Mr. Wilds!

 

An album lost in the Amazon: Juaneco y su Combo’s early jungle psychedelia music revived

An Album Lost in the Amazon: Juaneco y su Combo’s Groundbreaking Early Jungle Psychedelia Recordings are Revived

Juaneco_Album CoverIn the early 1970s, a small and largely unknown city called Pucallpa, nestled in the heart of the Amazon jungle on the far side of the Peruvian Andes, was the birthplace of a genre of music that would become a regional phenomenon and a white whale for Latin music collectors many years later. A mid-century oil boom brought workers to the region to toil daily in the oppressive equatorial heat. With hard living so often comes brilliant music, the kind that can only be created by people needing an exceptional release from the hard work and drudgery of the day. It’s these conditions that brought Juaneco y su Combo together in the 1960s, creating a new sound known as jungle cumbia, a genre that now holds near-mythical status for fans of South American music, made all the more legendary by the tragic 1977 airplane crash that killed more than half of the band. Juaneco y su Combo’s first records were laid down for the Lima-based IMSA label in 1970 and 1972, and it is these early recordings, never before released internationally and virtually forgotten, that make up The Birth of Jungle Cumbia, to be released on December 10, 2013 by The Vital Record.

 

Juaneco y su Combo 1974
Juaneco y su Combo 1974

Juaneco y su Combo started out as a standard good-time dance band, led by Juan Wong Paredes, known as Juaneco. Called Juaneco y su Conjunto in those days, they made their name playing waltzes and polkas and rumbas for fairs and weddings in the Pucallpa region. In 1965, Juan Wong Popolizio, the son of Juan Wong Paredes, who shared his father’s nickname, returned from his mandatory military service in the capital with the notion to electrify the band’s music.

Taking over as bandleader, Juaneco Jr. brought the band’s simple dance party sounds into the emerging zeitgeist: driving electric guitars instead of folk strings, and a honking Farfisa organ instead of an accordion. He also brought in Noé Fachín Mori on lead guitar. Fachín, who came out of the criollo music tradition, was known locally as el brujo (the witch doctor). His gift for driving melodic hooks defined and solidified the band’s wailing, psychedelic sound, and he composed many of the group’s numbers.

Identifying comfortably with their indigenous neighbors in Pucallpa, a progressive-bordering- on-revolutionary outlook for the time and place, Juaneco y su Combo appeared in traditional dress on stage and in photos, and further incorporated both the sounds and the lore of the inner jungle in their music. Their earliest IMSA recordings are loose, rangy, sensual, and untamed, and it’s these sounds that caught on so fervently in the region; a micro-regional answer to the rock-and-roll that was sweeping the world, but one that, by design or by chance, happened to sound fresher and more raw than almost anything else being produced on the planet.

The raw emotion and unabashedly down-and-dirty qualities of these records more than make up for whatever production values they lack. Indeed, listening to later recordings of the same group, one has to wonder if a producer’s presence didn’t overly bridle their sound. The recordings that make up The Birth of Jungle Cumbia are taken from exceptionally rare vinyl copies, as the masters were long ago lost or taped over. Minor audio flaws are entirely eclipsed by the glorious passion and effervescence of the songs themselves.

Listen, for example, to the driving, hip-shaking rhythms of the opening track, “Caballito Nocturno” (an ode to an Amazonian creature of legend, a woman who turns into a centaur and is ridden and whipped by the devil himself, all as punishment for salacious deeds). The grungy organ hook and the reverb-heavy guitar need no lyrical assistance in telling this cautionary tale. Or appreciate the striking beauty of “El Forastero,” a strutting Cuban bolero composed by bandleader Juaneco, one of the rare songs by this group to add lyrics for more than simple vocal textures. “I wander looking for a love/ Who knows how to understand me/ Because I’m a stranger/ Who’s very understanding/ Then, when I find that love/ I’ll stay with you forever.”

“Lamento en la Selva” provides a frightening, tragic bit of foreshadowing. This mostly lyricless song was written as a lament for the lives lost in the famous 1971 commercial plane crash that killed 92 people en route to Pucallpa (and later, because of the astonishing story of the sole survivor, became the subject of the Werner Herzog documentary Wings of Hope). Juaneco Jr.’s sister and brother were both lost in that crash.

That tragedy would not be the only airline disaster to strike the Pucallpans, though. In 1977, on the way home from a gig, an airplane containing 5 of the 9 band members, including musical visionary Noé Fachín, crashed. It killed everyone on board. Remaining band members did regroup and continue playing, but without Fachín in particular, the sound was never the same.

All the more important, then, are these stunning early recordings. With 18 tracks in total, coming from a full-length LP and a handful of singles all recorded in the early 1970s, it’s the earliest Juaneco y su Combo work that’s ever been reissued, and the most vivacious and vital. Says The Vital Record label head David Aglow, “This album was never really heard by most Peruvians. This is, more than anything, a lost album.” Though the group did achieve national popularity in Peru with their more heavily-produced later albums, they never found the same page. “It was probably too raw for people outside the jungle at that time,” says Aglow, of this collection of early recordings. “In our opinion, that’s what makes it sound so good to us now.”