The View from a Volcano

Through August 27th, New York City art space The Kitchen is hosting a two-month retrospective of its auspicious first fifteen years as a bastion for the downtown art scene of the seventies and eighties. Now located in Chelsea, The Kitchen stood in Soho for its first fifteen years, where it supported the wild, defiant expressionism of a very pre-Giuliani metropolis.

Rap: BALTIMORE | SWEDEN | LONDON | SRI LANKA | QUEENS | TRINIDAD

Rye Rye is a rapper/dancer from Baltimore. The talent is signed to N.E.E.T (Not in Education, Employment or Training) Recordings, a label founded by M.I.A.

Zazen and the Art of Vanessa Veselka

Ever since H.G. Wells published his speculative sci-fi telegram The Shape of Things to Come in 1933, numerous artists have adapted his title to suit their own prophecies. Ornette Coleman’s The Shape of Jazz to Come demanded that the genre evolve or face irrelevance. Swedish band Refused did the same for underground rock with The Shape of Punk to Come. Ornette and Refused don’t sound particularly alike, but they both purported that music, and art in general, loses all power and urgency once it has become fashionable, marketable, a commodity of mass culture. They were onto something––––after all, this is a world in which Che Guevara t-shirts are sold at shopping malls.

Terrence Malick and the Making of America

Now that Terrence Malick’s The Tree of Life––––a film that earned both heckling and the Palme d’Or at Cannes this year––––is almost out of theaters and more firmly a part of the controversial auteur’s cannon, I feel prompted to reexamine Malick’s career and his ideas about American life.