Hurricane Irene: The Movie

A close friend of mine wisely pointed out via Facebook that, while no Hollywood natural-disaster film is complete without a grizzled, determined, and attractive lead character to save the day, the media frenzy surrounding Hurricane Irene’s east coast debut lacked a standard hero type. Since the double lead of Steve McQueen and Paul Newman in 1974’s The Towering Inferno, American film has never missed this opportunity to remind us that, while we will all someday die, we should always go out looking our best. Dante’s Peak had Pierce Brosnan. The Perfect Storm had George Clooney in flannel. Independence Day (because extraterrestrials are still natural) had Will Smith. Twister had Bill Paxton. The Day After Tomorrow touted Dennis Quaid for moms and Jake Gyllenhall for daughters. 2012 featured the boyish duo of John Cusack and Chiwetel Ejiofor. Ad infinitum, et cetera.

Movies work in not-so-mysterious ways. Nothing helps an audience care about a film’s characters, and thus root for humanity over the angry planet earth, more than when the people in question are undeniably beautiful. Carrying toddlers and golden retrievers to safety, it must be noted, also helps. Rousing, passionate speeches in dire moments are an obligation.

Since the amount of televised coverage leading up to the storm was enough to comprise another ten-part Ken Burns documentary, let’s do a brief rundown of the alpha-dog heroes that stood up against Hurricane Irene’s brief but resounding sizzle.

Michael Bloomberg, Mayor of New York City:
“We have never done a mandatory evacuation before – and we wouldn’t be doing this now if we didn’t think the storm had the potential to be very serious. […] The city has already seen the power of Mother Nature once this week, and Mother Nature may not be done with us yet.”

 

 

James Molinaro, Staten Island Borough President:
“If there’s a direct hit, it’s going to be a major, major problem. People shouldn’t prepare like it’s going to go out to sea. Prepare for the worst.”

 

 

 

Glenn Rieth, Adjunct General of New Jersey:
“The good thing is that it’s a scheduled event, it’s not a tornado or terrorist attack.”

 

 

 

Michele Bachmann, Minnesota State Representative:
“I don’t know how much God has to do to get the attention of the politicians. We’ve had an earthquake; we’ve had a hurricane. He said, ‘Are you going to start listening to me here?’ Listen to the American people because the American people are roaring right now. They know government is on a morbid obesity diet and we’ve got to rein in the spending.”

 

 

Chris Christie, Governor of New Jersey:
“Get the hell off the beach in Asbury Park and get out. You’re done. It’s 4:30 PM. You’ve maximized your tan. […] If it continues on the current track, from a flooding perspective this could be a 100-year event. People should not take this lightly.”

 

 

Of course, Chris Christie is the class act who, during the tri-state area’s blizzard last winter, went on a vacation to Florida. Also, I have no professional meteorological knowledge, but his math strikes me as somewhat inflamed.

I don’t mean to minimize the effects of the storm. Twenty-seven people were reported killed, including two children––––a tragedy in any context. Flooding and winds caused property damage totaling in billions of dollars. Various state governments were right to postpone events and clear potentially dangerous areas of residents. I’m sure no one in any seat of authority wanted to risk being held responsible for another avoidable Katrina-like catastrophe, and environmental responsibility is nothing to discount.

But the problem is twofold. Firstly, the rhetoric used by the aforementioned politicians is largely absurd, brutish, overdramatic, and reeks of self-importance. Telling people what to do by scaring them induces irrational panic, an issue beaten further with the news media’s insatiable desire to rebroadcast constantly the most hotheaded and dramatic of these warnings. If there’s anything that Hollywood directors share in common with the news media machine, it’s the implicit understanding that human beings very quickly become addicted to the feelings that arise when confronted with the possibility of death, and will sit close to the screen, awe-struck, to know what happens next. It’s an industry. Those who aren’t driven to fear by their televisions, however, have different reactions to the rhetoric, and this is where the second problem comes in.

I’ve always found that swearing, whether in real-life conversations or in film dialogue, loses its power when overused. A lone curse word amidst a sea of civilized discourse can have a startling effect (something that screenwriters and, I guess, lawyers should remember). Taken to the opposite extreme, an unending geyser of vulgar language can become creative, symphonic, even transfixing in its shock––––if you’ve ever heard an “aristocrats” joke, then you know what I mean. The coverage and rhetoric behind Hurricane Irene, then, met neither interesting end. The histrionic warnings about this once-impending disaster––––delivered by elected officials, no less––––lost their effect in their very overemphasis; and, at the same time, couldn’t possibly have incited enough panic in its limited span to become the spectacle that media broadcasts were winding up for. News channels were reporting defiant beachgoers and surfers up until the actual landing of the storm. In reality, the hurricane was an event of true mediocrity, while Christie and Bachmann, only days ago, predicted and invested their political credibility in exceptional chaos. I say this out of no disrespect to the innocents killed in the rough weather, but those of us who have followed this past decade’s pattern of live, televised fear-mongering couldn’t possibly be moved anymore by a few days of heated words from transient public figures. So when an incident comes along that may well deserve such urgency, those who have been rendered numb by the constant broadcast of panic into American homes will never believe it––––a class “boy who cried wolf” scenario, if ever there was one.

Contrast the previously selected quotes with a few words from…

Peter Shumlin, Governor of Vermont:
“We are all proceeding as if life hadn’t changed. And we’re thankful that it hasn’t. But there’s always the danger that we might think that it won’t. And I’m here to ask Vermonters to realize that in all likelihood it will change rapidly tomorrow, and therefore, now is the time to plan.”

 

 

Granted, Vermont lies further north than the project disaster zone, but what shouldn’t be overlooked are the calm and control in his communication with the people that depends on him. Like any elected official, Governor Shumlin is a liaison between the populace and the decisions made behind the curtain that affect them.

As such, a heartfelt thank you to those who kept their cool and sense of responsibility last week––––especially the MTA workers, for whom the hurricane did not entail a break from their jobs.

Rokia Traore’s Mali Goes West…

 

 

When Malian singer-songwriter Rokia Traore goes west:

 

1.   She heads for the Pacific, specifically the Zellerbach Playhouse in Berkley, California, to play four consecutive shows from October 26th to 29th; none of which should be missed by anyone lucky enough to be on the west coast this fall.

2.    She takes traditional Malian folk music in the vein of Ali Farka Touré and Oumou Sangare––––filled with acoustic guitar, ngoni, and balafona; sometimes quietly reflective and other times blazing with percussive rhythms––––and contributes new ideas that simultaneously reflect her roots in Mali’s Koulikoro Region as well as her many formative travels throughout Europe with her diplomat father. Rokia Traore’s unique brand of griot music sounds familiar on levels both aural and cultural, but electrifying its customary instrumentation are vocal harmonies, string sections, intimate classical-chamber drama, and sociopolitical lyrics that speak to her creative fusion of global influences. Her first record, 1998’s Mouneïssa, is strong in its own right but perhaps too understated. Two years later, Wanita would sharpen her arrangements––––and her emotive, elegant vibrato––––into something braver, exemplified on songs like “N’gotolén”. 2003’s Bowmboï might be the best; tense rhythmic changes drive album highlight “Sara”, while “Manian”, a collaboration with the Kronos Quartet, simply must be heard to be believed. A fourth album, Tchamantché, arrived in 2008 and includes a surprise English-language cover of Billie Holiday’s “The Man I Love”. Like fellow Malian songwriter Salif Keita, Rokia Traore redefines the term “world music”––––once a lazy, catch-all genre name for any sounds that happened to represent non-Western modes or ethnicities––––into the only possible description for a sonic palette that defies easy categorizations of place, culture, and lineage.

3.    We’d be wise to follow her there. Tickets for Rokia Traore’s four shows at the Zellerbach Playhouse go on sale in September.

CYBERCULTURE > The New iTunes > Spotify

We all have probably downloaded a track from Apple’s iTunes website, but now there is a site that is growing very popular named Spotify that users can listen to music for free (with advertising) or pay for a subscription that has more features, higher speeds and greater access.

Users have the choice of over 15 million tracks (growing by approximately 10,000 tracks per day).  Music can be browsed by artist, album, record label, genre or playlist as well as by direct searches.  The features that are included with this service are Catalog, Playlists, Last.fm Integration, Radios, Social Features and Local Playback.

There is access to site for free when invited, so ask your friends and start hearing the new online music wave at spotify.com.

INDIAN ROCK > Pentagram | Motherjane | Millennium

Indian Rock

INDIA:  MUMBAI | KOCHI | BANGALORE

Pentagram, “Voice” |  Motherjane, “No Contest” | Millennium, “Only Be One”

 

Find out more about Pentagram here

http://www.facebook.com/pages/Pentagram-Indian-Rock-Band/167989913253544

http://www.pentagram.in/

 

 

 

 

Find out more about Motherjane here

http://www.motherjane.in/

http://twitter.com/#!/motherjaneindia

http://www.facebook.com/motherjane

 

 

 

 

Find out more about Millennium here

http://www.facebook.com/group.php?gid=7469736461

http://www.myspace.com/millenniumindia 

 

 

 

 

Indian Rock links:

CYBERCULTURE > The New Social Network: Google Plus

The new release of another Google product seems to be their most promising.  Google Plus is the new social network that has harnessed the attributes of some of the popular ones with the touch that only Google can create.

In this version of social media, Google has some interesting features including ‘The Stream’, which are member updates, ‘Creating Your Circles’ for having separated groups of contacts, Chat & Video and what may be most utilized for some, Google + Gone for mobile phones.

While this product was reserved for individuals by invite only which has already been overloaded, Google members can try out its features by going to The Google Plus Interactive Tour.

 

Here are the links for the current popular social media outlets

CYBERCULTURE > Mobile App > CultureNOW

The CultureNOW app transforms New York City into one big apple museum.  This application is great for tourists, commuters, pedestrians and bikers. Continue reading “CYBERCULTURE > Mobile App > CultureNOW”